Dig, Deep Down
The whole point of the Finale now is revealed — and it’s not what we expected. This is the part where all human solution is exhausted. This is where we’ve got bupkis; there’s not a back-up plan, nor an alternate course in sight. And it’s all come down to the hero — who’s got nothing either. Yet, as it turns out... this is the true test! In a sense, every story is about the “stripping away” of the stuff the hero thinks is important at the start of the story, including his own little ideas for winning at the end. This is the part where the hero has to find that last ounce of strength to win but can’t use normal means to do so. And lest you think this is a goofy, “formula” thing, in fact it is the whole point of storytelling. For this is the part we’ve waited for, the “touched-by-the-divine” beat where the hero lets go of his old logic and does something he would never do when this movie began.
Devoid of a human solution, the hero returns to the blackness he succumbed to during the cocoon stage of his transformation to prove he’s mastered that part of himself that is beyond human to find faith, inner strength, a last-ditch idea, love, grace. It’s the Dig-Deep-Down moment all stories teach us: At some point we have to abandon the natural world, and everything we think we know, and have faith in a world unseen. This is the part in Star Wars where we hear Obi-Wan say: “Use the Force, Luke!”; the part of Gladiator when, seemingly dead, Russell Crowe finds that last bit of energy to stab Joaquin Phoenix right in his Coliseum. It’s the part where Hugh Grant dares speak to Julia Roberts in the press conference finale of Notting Hill, and in Indiana Jones and the Last Crusade when Harrison Ford is given a choice to save his father (Sean Connery) by giving up everything else. It’s the part in Planes, Trains and Automobiles where Steve Martin, having figured out John Candy has no wife, recalls the lonely man that has become his friend and goes back to rescue him. This is the moment of faith when, with a breathless gasp, the trapeze artist, high up in the darkness of the big top, lets go of his grip on the world, does his spin, and snaps out into the void hoping another will take his hands. And we watch in anticipation, for in our own way... we’ve been waiting, too.
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